Mirkwood by Steve Hillard narrated by William L. Hahn
This book is a must read for anyone who loves J.R.R. Tolkien’s, The Lord of the Rings. The novel is based upon the idea that Middle Earth exists and that Tolkien had access to several manuscripts which became his published works. In addition, he had several more manuscripts that he did not publish, and the dark lord wants one of them (maybe all) destroyed as part of his “come back” strategy. He is trying to wipe out a tale of resistance to him by destroying a young hobbit woman who has a peculiar opportunity to frustrate him.
Yet that is only a small part of this book, because most of the action doesn’t happen in Middle Earth, it happens here, in our world with flashbacks to J.R.R. .Tolkien’s past and his decision to pass on these manuscripts. It’s a mystery story in which the young heiress to these manuscripts is trying to find out what they are and what happened to her grandfather who was their caretaker for so long. Oh, and she’s also trying to survive an assassin from Middle Earth who has come to kill her and destroy those precious manuscripts.
This is a tale of beauty and sophisticated layering of plot brought to even-more-engaging life by the fantastic vocal talents of narrator William L. Hahn. Like the original Lord of the Rings which inspired it, I don’t think you can glean every depth of this novel in a single perusal. I’m going to have to read it again.
The Hero, the Sword, and the Dragon by Craig Halloran (Chronicle of Dragon 1)
The Hero, the Sword, and the Dragon is the first book in a fantasy series by Craig Halloran, the author of the superb urban fantasy series, Supernatural Bounty Hunter. While it’s my understanding that dragons are becoming increasingly common figures in urban fantasy romances, in classical fantasy they are usually the bad guys, so I was interested in seeing how Halloran would handle building a series around one.
First up, the dragon of the title is the hero—not the anti-hero—and he’s not quite a dragon yet. He’s descended from one, but whatever makes dragons grow their scales hasn’t happened to our hero yet. He’s stronger and faster and hardier than normal humans, but he’s not a fire-breathing lizard yet or even close to becoming one.
The second interesting twist that Halloran has put on the series is that classic fantasy activity—heroes slaying monsters and bad guys—threatens to get our hero into trouble. Blood lust is bad for dragons—although we’re not told why at the beginning of the book. This means that our hero has to find a non-hack-and-slash way of winning the day—or else. Now before you start thinking of Dr. Quinn, Medicine Woman (“Violence is not the answer!”), let me assure you that there is a ton of action in this opening book. It’s just that there is also a ton of consequence that is clearly going to fuel the entire series. I’m anxious to see where it takes him.
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Legend by David Gemmell
David Gemmell, may he rest in peace, was one of the great fantasy writers of our time and this is the book that launched his career. Gemmell had been diagnosed with cancer and says that he started this book to occupy his mind while he was in treatment. It’s unlike anything in the genre that I had ever read. A sixty-year-old legendary warrior comes out of a very short retirement to fight in one last helpless cause to try and save the Drenai people. Druss has been in every major battle for the past forty years, but none of the lost causes he turned around ever looked as bad as this one.
Gemmell gets inside the skull of his heroes, none of whom—not even Druss—are without serious flaws. This book will tap every emotion you have. There’s plenty of excitement, but there’s also outrage, and respect, and trepidation, and grief, and wonder, and horror as men and women struggle to find it in themselves to hold on one more hour so that millions of people they will never know have a chance to go on living.
This would be a remarkable novel for any writer to produce—but as a first novel it will just knock your socks off. And it’s only Gemmell’s first novel. He fought the cancer off long enough to give us at least a score more books and make a legend of his very own.
Spellmonger by Terry Mancour
Spellmonger is a great fantasy novel set in a very complex world of magic at a medieval level technology. Armies have learned to incorporate mages into their military units. Our hero, Minalan, is a veteran of these magical wars who, at the ancient age of twenty-five-ish has decided to retire from the army and set up shop as a village spellmonger, selling his skills to the locals. He thought he was setting himself up for a simple life without a lot of stress. Then a major goblin invasion begins and his life is turned upside down as the world he knows may well be coming to an end.
There is a tremendous amount to like about this book. The world has been carefully developed with a lot of depth and breadth. The main character was very likeable as are many of the supporting cast. The bad guys are happily irritating. The battles were good. The magical system is interesting. The overall threat keeps developing into a more and more apocalyptic peril and I didn’t see any way for them to ultimately escape – and since Minalan is narrating the novel, it was clear that he had to survive.
On the downside, each chapter includes a flashback to show how Minalan got to where he is and this structure got old fast. It also pretty much precluded any real character growth occurring in the novel. I think it would have been far wiser for Mancour to tell the story in much more chronological fashion and let us watch Minalan become the man he is at the beginning of the story. I also think that this would have added significant drama to the tale.
Over all, I really enjoyed the book. It’s a great set up for further
adventures as the goblin threat continues to imperil all of civilization. I’ll
be curious to see where Mancour goes with this.
Junk Magic and Guitar Dreams by T. James Logan
Otter is a teenager who lives in poverty with his dying mother. They have family, but because of years-old enmity, Otter’s mother forbids him to turn to them for help. She’s so opposed to contact that she arranges for Otter to be emancipated rather than ask for their aid in taking care of him after she passes. Unfortunately, Otter’s understandable rage at all the unfairness in his life undercuts the act of emancipation and allows a rather unsympathetic social worker to try and take it from him so she can force him into foster care.
On the surface, that’s the whole plot of the novel—Otter trying to survive after his mother passes—but Logan gives the reader so much more, including a very dark and disturbing subplot of white supremacists trying to seduce Otter into their ideology. As Otter feels more and more isolated from the world, he finds unexpected solace in a box of junk that his wealthy grandfather left him. The junk permits Otter through never explained magic to relive parts of his grandfather’s life, giving Otter perspective he desperately needs and insight into why his extended family is so messed up.
Then there’s Otter’s guitar and his band—a source of release and hope for so many millions of teenagers around the world—and the only thing keeping Otter sane as he tries to deal with his many problems.
Logan somehow pulls all of these disparate plot threads into a highly compelling, but painfully realistic, growing up tale. I supposed it’s technically a young adult story, but the themes and situations Otter deals with are ones I hope no child ever has to face. This is not a light read, but it’s definitely worth your time.
I received this book for free in exchange for an honest review.
The Dark Field by J. R. Mabry and Mickey Asteriou
In the first book in this series, the reader watches as a combination of incredible stupidity and self-centered immaturity and greed release a planet devouring dark god into the universe again. In this sequel, matters go from bad to worse as kings seek to conceal their own roles in creating the apocalyptic tragedy by turning on their best hopes to stop the destroyer. If only their short-sighted idiocy wasn’t so believable.
If the first book establishes the problem of the series, this one puts the pieces in place to best the threat. Our mixed bag of heroes is in place and they know what they have to do—if not how they are going to accomplish it. And here I think the authors have out done themselves because to stop the villain from destroying the universe, the heroes will have to destroy civilization as they know it.
Talk about the devil and the deep blue sea—even the good guys are likely to try and stop the heroes during book 3.
The Prison Stone by J. R. Mabry and Mickey Asteriou
Mabry and Asteriou’s new series has one of the most unique settings I have ever encountered in fantasy literature. It’s a galaxy worth of worlds—each with their dwarves and elves and humans—but despite the essentially medieval level technology they are reached by dwarven built spaceships. I suspect that it is magic powering those ships, but they are spaceships nonetheless and that makes for a very distinctive mix of high tech and low tech interactions that gives this series a wonderful flavor.
The plot revolves around a totally evil big bad guy who destroyed entire worlds a millennium earlier before the good guys managed to trap him in the prison stone. That’s just long enough ago that even the long-lived dwarves think of these events as stories rather than history (many elves actually remember the big bad) so when the stone is rediscovered (and one does wonder how you lose something that important) it isn’t given the proper respect it deserves. In a decision that must go down as one of the worst ever made, a dwarf king decides to transport the stone by humble courier instead of by armed battalion. This being an epic fantasy series, no one will be surprised when that decision goes bad and the fate of worlds is once again endangered.
There are a lot of great characters in this story but none so endearing as Ellis, the haffolk. I admit I initially rolled my eyes when I saw the race. Hobbits or halflings are a staple of fantasy literature—gentle, inoffensive, and often loved by all. But here again, Mabry and Asteriou have taken their own route. The haffolk are still basically gentle, but they are not a race. They are instead mules—the infertile product of a dwarf and human mating who are despised by just about everyone—and it quickly becomes apparent that that is going to have major implications for the development of this story.
So the setting of the Prison Stone is exceptional, the foundations are strong, and now my expectations for the rest of the series is sky high. Can’t wait for the next book to be published.
I really enjoyed this novel. It takes the current trend toward writing stories that are really simply roleplaying adventures and turns it on its head. The monsters are the good guys—but here’s the twist—they really are. Our “heroes” are a group of outcasts who band together to try and survive a group of adventurers who are overrunning the dungeon they are currently employed in. Most of the monsters in that dungeon are nasty bullies but our heroes are the ones who were getting kicked around by them so in addition to avoiding the adventurers they have plenty of trouble with their supposed allies. And of course, there are the legions of undead who inhabit the lowest levels of the dungeon (an old dwarf stronghold) who are a threat to everyone.
As the novel advances, Kay does an excellent job of drawing out the backstories of these misfits making them even more likable and sympathetic. He also shows us that they aren’t wimps. Their problems largely resulted from having no one to watch their backs in the survival of the fittest atmosphere of the barbaric monstrous society. We also learn that the humans, elves and dwarfs are not so likable either (or at least their governments aren’t). The humans have broken a treaty with the monster races that had kept the peace for three generations and appear to have done so for the basest of motivations—greed and racism. Even the adventurers (who would normally be the heroes of this tale) show themselves to be the worst kind of mercenaries.
This is a fun adventure all around and I look forward to the next installment. I’m particularly grateful that Kay avoided all the leveling up and character statistics that usually dominate this subgenre. The novel was much better for concentrating on story and characterization than on character sheets.
Nowhere to Run picks up with the Wandering Monsters trying to earn a living by taking care of problems for a small village in the north of the kingdom. They frighten off some bandits only to have the villagers they are protecting turn on them and throw them out once the danger is over. (Humans in this series often fill the role of “bad guy” not because humans are evil, but because many just suck.)
Our heroes find a group of refugee goblins, hobgoblins, etc. and try to help them out. They’ve arrived just in time. The “bandits” that were driven off from the human village turn out to be cavalry scouts for the king acting incognito so as not to alarm neighboring lands. Real reinforcements are on their way and they plan to exterminate the refugees who have no place further to flee. So this novel ends up being about preparations for a fight while trying to resolve internal problems in the goblin camp and an ancient evil that is buried beneath it. As with all of Kay’s books, the action is solid and the story moves along at a very quick pace.
We also learn a little more about the characters and set the stage for the next volume. The dwarves have discovered that Dig Dig has uncovered a powerful artifact and they want it. The king has discovered that the daughter who escaped him is with the Wandering Monsters crew and he wants her back as a powerful token in his relationships with his neighbors. This series is only getting better with each new volume. I look forward to reading the next one.
The Truth by Terry Pratchett
One of the things I enjoy most about Terry Pratchett’s novels is how he takes an institution such as the post office or the mint and reinterprets it in his fantasy city of Ankh-Morpork. The Truth centers on the accidental founding of the first newspaper. I laughed from beginning to end as William de Worde stumbles into the business of selling the news to the masses all the while trying to uncover the truth behind the story that the Patrician attacked his assistant and is no longer fit to rule the city. So while De Worde becomes Ankh-Morpork’s first investigative reporter, he also has to keep his newspaper alive against the machinations of the guilds and their low quality competitor, The Enquirer.
Pratchett had a gift for creating memorable and lovable characters who get themselves involved in zany situations. This is one of his better novels and the characters keep appearing in every book that follows it.
To Reign in Hell by Stephen Brust
This is a story of crisis and betrayal, miscommunication and lies, and a brewing civil war. The characters are vivid and the action is filled with tension and quite enjoyable. Written in a different context it would have been a four-star novel. Unfortunately, To Reign in Hell is an effort to retell the story of the war between God (called Yahweh in this novel) and Satan but it accomplishes this by flipping the expectations of who is good and who is evil. Yahweh is described as a dimwitted, small minded, easily manipulated, quick to violence fool who surrounds himself with equally stupid angels who are disturbingly quick to agree to attack their fellow angels who they apparently still consider to be their friends. On the other side, Satan and those who will become known as demons and devils, are portrayed as honorable, brilliant people who suffer from naiveite. Whereas Yahweh acts with cruelty throughout the novel eventually becoming genocidal, the demons never do so. It is a bizarre twisting of the story that makes listening to it highly disturbing, even though the basic action is still enjoyable.
In addition, there is a major flaw that greatly weakens the credibility of the story. I’ll leave out names so that I don’t spoil the action, but the angel who is the arch manipulator of Yahweh kills another angel and is caught in the act. This murder occurs well before the breach between Yahweh and Satan has become certain and it is the act that inspires most of the rest of the misunderstandings in the story. Again and again, Satan tries to kill the offending angel and is stopped by forces of Yahweh who do not know they are defending a murderer. But never once does Satan or his allies think of yelling—"He killed (fill in the name of the angel).” Those three words would have ended the immediate threat of violence and permitted the discussion that would have healed the accidental rift between Yahweh and Satan. I realize that the rift is necessary to the story, but couldn’t a believable problem have been created?
Perhaps the real problem is that Brust wants Satan and the “fallen angels” to be the heroes of his tale and Yahweh and the heavenly host to be a bunch of homicidal (in Yahweh’s case, genocidal) maniacs. It would have been a much more interesting story if Satan had actually been the bad guy trying to gain dominance in heaven. There are numerous novels that manage to make the bad guy an interesting protagonist. It’s unfortunate that Brust decided to go in the opposite direction.
I would like to end on a positive note. Narrator Jiraiyah Addams has a wonderful vocal range which permits him to create a large number of individual characters in this audio book. That greatly enhanced the rendition of this tale.
I received this book from Audiobook Boom in exchange for an honest review.
Blue Fire Harem by Dragon Treasures
This is the humorous story of a very evil man who turns himself into an angel in his quest for more power only to discover that as an angel he is bound to act in a fairly “good” manner. His inability to rape and pillage and do other dastardly deeds makes him suicidal. Unfortunately, he is pretty immune from damage in his angelic form so killing himself doesn’t appear to be an option.
Finding a cult composed mostly of women waiting for an angel such as himself to come to them, he finds that he isn’t interested in sex even as these women throw themselves at him. Apparently, it just isn’t fun if the partner is willing. (Yes, that’s disgusting, but it is still amusing to watch him forced to be “nice”.) Finally our…hero doesn’t sound like quite the right word…decides he is going to have to try and destroy his old evil cult in the hopes that they will kill him in an act of self defense.
This isn’t the greatest book you’re ever going to read, but I found the premise original and it made me laugh.
I received this book from Free Audiobook Codes in exchange for an honest review.
The Reaper of Iremia by Kenneth Rocher
The Reaper of Iremia is an action-packed fantasy novel set in a very modern-feeling city that seems to have been modeled on the medieval Italian city states. It’s got strong characters and an involved mystery with a lot of surprises. But the thing I liked the most about it was the big bad’s magic item. I don’t want to give away the coolest part of the plot, but this item was an extremely creative idea that I don’t remember coming across before in the hundreds (thousands?) of fantasy novels I’ve read. And it creates a truly fascinating problem for our heroes as they attempt to save the day.
I was given this book in exchange for an honest review.
This novel starts with a bang! A very likeable freeholding farmer and his wife—descendants of the hero in the prologue—are murdered by a nobleman who wants to turn them into serfs. It’s a powerfully moving and absolutely shocking beginning that sets the reader up for an exciting tale of justice and vengeance. And that tale is probably going to happen over the course of this new fantasy trilogy, but it isn’t what this novel is about. A Chance Beginning focuses on the two sons and nephew of the murdered couple who have left the farm to seek their fortune only to discover difficulty and poverty greater than they have ever known. The change in pace is striking after the fast-moving opening, but Patterson takes the time to introduce you to these three young men and really bring them to life with distinctive personalities.
Patterson writes a very good action scene—good enough that it makes you wish there was much more of it. He also deals very well with the aftermath of violence as the three young men are forced to begin growing up. This is common feature of fantasy and it’s a strength of the novel.
The other big strength is the slowly developing international political situation. The political powers are searching for something and starting to make military moves. We don’t really understand this situation yet but it’s very clear our three young heroes-to-be are going to be in the middle of it.
Overall, this is a nice start to what promises to be a very good
This is one of the novels that shows glimpses of how absolutely wonderful Terry Pratchett’s Discworld novels would become. First off, there’s the zany plot. Someone is trying to assassinate Lord Vetinari. At the same time, there’s a problem with the golems, which is to say, one appears to be killing people. If that isn’t bad enough, the civic leaders of Ankh Morpork have begun to imagine life without their leader and have concocted a hilarious plan to put someone more malleable in Vetinari’s office. As you can imagine, it’s up to Sam Vimes and the watch to sort all of this out and they do it in their typically hilarious fashion.
But the best Pratchett novels offer something a little more and this one has a look at prejudice and what it is to be human. Golems are just things—tools—with no rights of their own—except in a world with vampires and zombies, is it really right to say that golems aren’t alive? There’s a lot here for everyone.
The Buried Pyramid by Jane Lindskold
I’ve been a big Jane Lindskold fan for years now. I discovered her by reading her PhD dissertation on science fiction great, Roger Zelazny, which she wrote at my own alma mater, Fordham University. This led me to the novels she completed for Zelazny after he died and I’ve been reading one of her books every couple of years ever since. She’s an author of extraordinary breadth, writing series about—wolves, a China-inspired fantasy, and immortals.
The Buried Pyramid is another example of Lindskold’s range as a writer. Set in Victorian England and Egypt, she develops her setting and characters in exquisite detail. As a young army officer, Sir Neville brushed against what was almost the greatest archaeological discovery of all time. Forced to turn back by hostile Bedouin, the lure of that almost-discovery has haunted Sir Neville ever since. The Buried Pyramid is the story of his second attempt to uncover greatness. Accompanied by his American niece, an amateur Egyptologist, and his old army sergeant who has converted to Islam, Sir Neville braves the dangers of a hostile environment, competing explorers and a secret society determined to keep this tomb from being rediscovered.
This novel starts out slowly but picks up a lot of steam in the second half of the book until it’s difficult to stop turning the pages. I was completely taken by surprise by many of the twists and turns the heroes encounter in the tomb. I was quite pleased by these twists as they happened and anxious to see how Lindskold would handle the situations, but at the end of the book I did not feel completely satisfied—which is not my usual Lindskold experience.
I’m glad I read this novel. There are beautiful
descriptions of late nineteenth century Egyptian society and Lindskold’s
understanding of the extraordinarily complex ancient Egyptian mythology and
writing systems are amazing. I really liked her characters as well, although I
thought that the major villain, Lady Cheshire, should have suffered a
significant penalty for her malevolent efforts.
I wanted to like this book more than I did. I love Rome and I’ve read at least one other Brown book, but this novel never quite worked for me. The biggest problem was that the Roman legion never once felt Roman to me. The lack of discipline was the largest problem, but there were subtle elements as well such as the speech of the legionnaires that never quite made me believe that we were dealing with one of the most successful militaries the world has ever seen.
On the positive side, the three-way threat proved to be an interesting problem. But again having one be a threat that the Romans repeatedly refused to believe in didn’t quite work. The authors often presented the Romans as condemning superstition when they had a large number of unscientific beliefs themselves. They also had an interest in other peoples’ gods and their disdain for the possibility that there was a genuine supernatural cause for the very unnatural-seeming deaths of their legionnaires just didn’t strike me as believable.
In a horror novel like this I expect most of the characters to die so a
lot of the fun is figuring out who will make it through the end of the novel. One
of the survivors made me laugh with delight. I’m not sure if I was supposed to
like him but he was probably my favorite character, even though he was a
decidedly minor one.
This is a novel without a plot—or possibly a novel with a plot that stops long before it gets to the end. It’s built on an interesting premise. Dirk Quigby is an advertising copy writer hired by the devil to write a travel guide to the afterlife so that humans will become interested in reaching heaven again and hell will be less overpopulated. The first couple of these guides (ancient Egypt and Greece) balance encyclopedia-like information with snarky observations by Quigby and are quite humorous, but as the sections on each religion get longer and the snark becomes a bit mean-spirited (especially with the Catholics) they cease to be enough to carry the novel. Thus we fall back on the almost plot—Quigby’s problems with his day job, and his strange girlfriend with the big surprise. The problem is—and I admit I’m a heavily plot driven reader—the plot doesn’t go anywhere. And ultimately, there doesn’t seem to be a purpose to the Guide to the Afterlife. Quigby is supposed to go on a talk show. The world has a chance to learn of the guide and respond to it. Presumably many will be unhappy with his observations. Yet the story ends before showing us any of these results which in this reader’s opinion was the point of the whole novel. So Ms. King, you have a great idea here, but I suspect that I am not the only reader who wishes you would revise the book and add a few chapters that address the impact of the guide and leads Quigby to a satisfying ending. That would greatly enhance my overall enjoyment of your story.
Koholt is an aging mercenary of legendary reputation who has retired to a small mining town where he trains guards and accompanies miners into the depths to protect them from beasts that live in the darkness. It’s a fairly easy job until a group of miners penetrates to a new subterranean level and disappears. The local ruler, High Duke Nessa, wants Koholt to determine what happened to them. High politics are at stake as the Duke maneuvers to keep his duchy free of the neighboring empire and he isn’t prepared to take “no” for an answer.
The trip into the mine is extremely well done with Erebus handling the darkness and isolation very credibly. The fate of the missing miners leads to some tense action—both physical and psychological—and sets the stage for the next story in this series.
Koholt makes an interesting protagonist. He’s a drug addict and strikes me as suffering from depression as well. Yet he’s also an amazingly pragmatic man who is able to accept the challenges life throws at him. He’s also smart enough to realize he doesn’t want to be in the middle of the political problem the High Duke has sucked him into.
One of the biggest advantage that this story has is that it is short.
You can read it in one sitting and go right on to the next one—which is what I
plan to do.
After escaping the mines by the skin of his teeth, Koholt gets dragged deeper into the politics of High Duke Nessa and his struggle to stay independent of the Jakuli Empire. Unfortunately, the empire has arrived in the High Duke’s territory in the form of Vriddhir Adaic, a Grammarian. The title doesn’t sound that frightening, but the Grammarians are the masters of the holy languages which makes them the worlds only wizards—and they are fierce.
Vriddhir Adaic thinks that Koholt’s discovery in the mines—the flowers of the title—are the key to great power and she wants that power. Unfortunately for Vriddhir and Koholt, everything goes wrong in the mines and continues to go wrong throughout the rest of the story. That turns out to be a powerful way to build tension and really sets the mood for the next tale in the series.
In this latest volume, Koholt finally gets out of the mines and into the politics he’s been trying to avoid. Matters heat up very quickly as the series moves in a new direction, building on the first two tales but staying on top of the earth. To complicate things, an old friend-turned-enemy of Koholt’s appears to add a personal element to the problems confronting our hero.
I’m not sure that Koholt makes the right decision at the end of the story. In fact, I’m still not certain why he made the decision he did, but it still sets the stage for a promising adventure in the next story.
Koholt is being hunted while he tries to find the teacher of Grammarian Vriddhir
Adaic. The plot of this story is the first one that didn’t hold any surprises
for me, but that doesn’t mean it wasn’t exciting or that I didn’t enjoy the journey.
Koholt is getting deeper and deeper into problems he doesn’t want to be involved
in and the next story promises to be a great one. My only concern is that’s it’s
been a year and a half since Eagle and Hare was published. I hope Erebus hurries
up and finishes the next installment.